And as she approaches the release of her seventh studio album, Nelly returns to music with the power of positivity by her side - along with a few artistic nudges from fellow creatives like Dom and Drake, with whom she performed as a surprise guest for his All-Canadian North Stars event in Toronto last summer - her first on-stage appearance since “The Ride. The Canadian singer-songwriter has not dropped a full-length record since 2017’s “The Ride,” a merging of R&B and pop piano ballads released on her own label. “Fly like a bird, I’m taking it home,” Furtado sings in “Eat Your Man,” referencing her 2000 hit “I’m Like a Bird,” as the bass line buzzes, and she declares: “I’ll eat your man, devour him whole.” “We realized that we generally have very similar influences on music which has made the process really enjoyable… There are some amazing Nelly remixes in dance music.” Popular singles include Free Ride, That Feeling Once Again, Jazzmina, Smoky Eyed Girl, and. Q: Describe the most common type of work you do for your clients.A post shared by domdolla□.jpg has dance music in her DNA, that was clear to me early on,” adds Dom. Dominic Kelly is an American songwriter and composer. Q: What type of music do you usually work on? Q: What was your career path? How long have you been doing this?Ī: Training in classical music since age 6, then being drawn to the electronic side of production age 14, I've now been working in the industry professionally for over 15 years.Ī: Soulful electronic music with plenty of bass and classical/jazz influence. If you want character and feel, then it's a lot more important to break 'out of the box'. If you need flexibility, digital is the way to go. Working with Ninjatune on some of their big projects has also been a real highlight for me.Ī: Both have strengths and weaknesses - it's all about the needs of the client and the project. Mixing front-of-house for 10 years with them has had me mixing in venues all around the world from the Royal Albert Hall to a Roman amphitheatre in Croatia. What was your role?Ī: Being the producer for Submotion Orchestra has been quite a ride. Q: Tell us about a project you worked on you are especially proud of and why. He has fulfilled briefs for NinjaTune (JIM), Multiverse, EMI, and Edition Peters, ranging from classical compositions to ambient electronica, from film trailers to award-winning music for corporate clients.Ĭontact me through the green button above and let's get to work.Ī: Combining experience and technical skills from the electronic and dance music world with compositional and practical training and refinement from the classical and scoring world.Ī: Small but perfectly formed, meeting all the needs of a modern production project - from the perfectly acoustically treated sound-proofed room to the choice items of outboard such as the stereo pair of Empirical Labs Distressors. He has recently contributed to post-production on projects from XOA to Peng Shui, and has started a new project creating lo-fi dub-techno as Leo James.ĭom also composes bespoke work for production libraries and a range of other clients. His performances have taken him on live & DJ tours across the world as Ruckspin, one half of Author, and as producer/engineer for Submotion Orchestra.ĭom's production and mix engineering skills have been in demand from independent clients such as Troumaca, Equals and Alex Clare. Since his early releases in 2007 on Ranking Records, he has gone on to release on Deep Medi, Hospital, Tectonic, Circus, Navy Cut and Counter (Ninja Tune) among other labels. Award-winning Bespoke Composition & Production with London studio.ĭom Howard has been writing, producing and performing music since 2001.
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